Which Witch Exhibition
Corpus: Her embodied Archive


2026.1.6-11
Three Rooms Gallery, 74 Beulah Rd, London E17 9LE

The exhibition brings together practitioners working across moving image, installation, painting, performance, and sculpture. Corpus proposes that the female body is not only a site of representation, but a living archive, one that is inscribed, erased, and rewritten over time. Through this lens, the body becomes a record of lived experience, where personal and collective histories intersect, and where power structures, cultural expectations, and intimate desires leave both visible and invisible traces.

Developed through Which Witch Collective’s ongoing curatorial research, Corpus foregrounds embodied storytelling as a tool for self-expression. Through personal, physical, and sensory narratives, the artists use their bodies as sites through which lived experience is articulated, remembered, and reimagined. The works explore how the female body carries psychological and physical trauma, and how artistic practice becomes a means of rewriting these experiences, transforming traces, emotions and memories into expressions of agency, resilience, and self-definition.


Artists On Show:
Amaryllis Lazaridou
Fiona G Roberts
Geraldine Hudson
Lara Gallagher
Rebecca Parkin
Renata Fernandez
Peiran Wang & Wenjun Xie
Shujing Huang
Xindi Sun
Yilina Yang
Yuchen Li

Opening Performance Artists：
Finch Lanyun Huang


Exhibition Opening Times：

Opening Times: January 7-11, 2025, 12–7 PM

Private View: January 6, 6–8PM



*FREE ENTRY


Gallery Address:

Three Rooms Gallery, 74 Beulah Rd, London E17 9LE




Curatorial Team:

Art Director: Wenqi Zhang

Curators: Wenqi Zhang, Xinxin Li, Liyuan Sun

Poster Designer: Haoxuan Li



Presented by Which Witch Collective



 




LAYOUT of the exhibition



DOWNLOAD the list of the artworks


Opening Performance

6:30pm

Poetry Spells: Offerings to the Wound

by Finch Lanyun Huang



The Rat Eater(Act 1) 2025

20 mins

The Rat Eater is a two-act performance derived from a semi-fictional manuscript. Using diaries and letters, the performance weaves deconstructive writing with psychoanalytic ideas, unfolding and breaking apart through desire, anxiety and taboo. Through bodily details and recurring metaphors, the artist traces shifting boundaries within relationships, identity and longing, forming a queer mental landscape between fantasy and reality, shame, secrecy and desire. The manuscript comes from a state of turbulence, where intrusive fantasies and compulsive projections slip into brief
hallucinatory scenes. In those moments, desire twists into strange forms and reality becomes sharply clear, revealing a psyche caught between obsession, neurodivergent intensity and the difficulty of speaking openly.



Photo Credits: Joy Chao 


Lanyun Huang (Finch) is a London-based queer artist. She holds an MA from Central Saint Martins, University of the Arts London. As Lanyun, she creates conceptually driven, body-based performances that often take place in everyday or disruptive settings, emphasizing temporality and sensory intervention through the body. As Finch, she makes theatrical works rooted in queer nightlife, collective energy, and folk mythology. Her practice moves live art, performance, video, installation and curation, engaging with identity, structures of desire, improvisation, and the shifting dynamics